In addition, British horror films have exerted influ. These have involved not just international co-production deals but also creative personnel moving from country to country. From the 1950s onwards there have been many exchanges between British and continental European-based horror production. This article argues that such exclusion is unwarranted. Putting the Brit into Eurohorror: Exclusions and Exchanges in the History of European Horror Cinemaīritish horror cinema is often excluded from critical work dealing with European horror cinema or, as it is frequently referred to, ‘Eurohorror’.